|Music & MP3 Information|
Hip Hop History
Rap music originated as a cross-cultural product. Most of its important early practitioners-including Kool Herc, D.J. Hollywood, and Afrika Bambaataa-were either first- or second-generation Americans of Caribbean ancestry. Herc and Hollywood are both credited with introducing the Jamaican style of cutting and mixing into the musical culture of the South Bronx. By most accounts Herc was the first DJ to buy two copies of the same record for just a 15-second break (rhythmic instrumental segment) in the middle. By mixing back and forth between the two copies he was able to double, triple, or indefinitely extend the break. In so doing, Herc effectively deconstructed and reconstructed so-called found sound, using the turntable as a musical instrument.
While he was cutting with two turntables, Herc would also perform with the microphone in Jamaican toasting style-joking, boasting, and using myriad in-group references. Herc's musical parties eventually gained notoriety and were often documented on cassette tapes that were recorded with the relatively new boombox, or blaster, technology. Taped duplicates of these parties rapidly made their way through the Bronx, Brooklyn, and uptown Manhattan, spawning a number of similar DJ acts. Among the new breed of DJs was Afrika Bambaataa, the first important Black Muslim in rap. (The Muslim presence would become very influential in the late 1980s.) Bambaataa often engaged in sound-system battles with Herc, similar to the so-called cutting contests in jazz a generation earlier. The sound system competitions were held at city parks, where hot-wired street lamps supplied electricity, or at local clubs. Bambaataa sometimes mixed sounds from rock-music recordings and television shows into the standard funk and disco fare that Herc and most of his followers relied upon. By using rock records, Bambaataa extended rap beyond the immediate reference points of contemporary black youth culture. By the 1990s any sound source was considered fair game and rap artists borrowed sounds from such disparate sources as Israeli folk music, bebop jazz records, and television news broadcasts.
In 1976 Grandmaster Flash introduced the technique In 1979 the first two rap records appeared: "King Tim III (Personality Jock)," recorded by the Fatback Band, and "Rapper's Delight," by Sugarhill Gang. A series of verses recited by the three members of Sugarhill Gang, "Rapper's Delight" became a national hit, reaching number 36 on the Billboard magazine popular music charts. The spoken content, mostly braggadocio spiced with fantasy, was derived largely from a pool of material used by most of the earlier rappers. The backing track for "Rapper's Delight" was supplied by hired studio musicians, who replicated the basic groove of the hit song "Good Times" (1979) by the American disco group Chic. Perceived as novel by many white Americans, "Rapper's Delight" quickly inspired "Rapture" (1980) by the new-wave band Blondie, as well as a number of other popular records. In 1982 Afrika Bambaataa's "Planet Rock" became the first rap record to use synthesizers and an electronic drum machine. With this recording, rap artists began to create their own backing tracks rather than simply offering the work of others in a new context. A year later Bambaataa introduced the sampling capabilities of synthesizers on "Looking for the Perfect Beat" (1983).of quick mixing, in which sound bites as short as one or two seconds are combined for a collage effect. Quick mixing paralleled the rapid-editing style of television advertising used at the time. Shortly after Flash introduced quick mixing, his partner Grandmaster Melle Mel composed the first extended stories in rhymed rap. Up to this point, most of the words heard over the work of disc jockeys such as Herc, Bambaataa, and Flash had been improvised phrases and expressions. In 1978 DJ Grand Wizard Theodore introduced the technique of scratching to produce rhythmic patterns.
Sampling brought into question the ownership of sound. Some artists claimed that by sampling recordings of a prominent black artist, such as funk musician James Brown, they were challenging white corporate America and the recording industry's right to own black cultural expression. More problematic was the fact that rap artists were also challenging Brown's and other musicians' right to own, control, and be compensated for the use of their intellectual creations. By the early 1990s a system had come about whereby most artists requested permission and negotiated some form of compensation for the use of samples. Some commonly sampled performers, such as funk musician George Clinton, released compact discs (CDs) containing dozens of sound bites specifically to facilitate sampling. One effect of sampling was a newfound sense of musical history among black youth. Earlier artists such as Brown and Clinton were celebrated as cultural heroes and their older recordings were reissued and repopularized.
During the mid-1980s, rap moved from the fringes of hip-hop culture to the mainstream of the American music industry as white musicians began to embrace the new style. In 1986 rap reached the top ten on the Billboard pop charts with "(You Gotta) Fight for Your Right (To Party!)" by the Beastie Boys and "Walk This Way" by Run-DMC and Aerosmith. Known for incorporating rock music into its raps, Run-DMC became one of the first rap groups to be featured regularly on MTV (Music Television). Also during the mid-1980s, the first female rap group of consequence, Salt-N-Pepa, released the singles "The Show Stoppa" (1985) and "Push It" (1987); "Push It" reached the top 20 on Billboard's pop charts. In the late 1980s a large segment of rap became highly politicized, resulting in the most overt social agenda in popular music since the urban folk movement of the 1960s. The groups Public Enemy and Boogie Down Productions epitomized this political style of rap. Public Enemy came to prominence with their second album, It Takes a Nation of Millions to Hold Us Back (1988), and the theme song "Fight the Power" from the motion picture Do the Right Thing (1989),by American filmmaker Spike Lee. Proclaiming the importance of rap in black American culture, Public Enemy's lead singer, Chuck D., referred to it as the African American CNN (Cable News Network).
Alongside the rise of political rap came the introduction of gangsta rap, which attempts to depict an outlaw lifestyle of sex, drugs, and violence in inner-city America. In 1988 the first major album of gangsta rap was released: Straight Outta Compton by the rap group NWA (Niggaz With Attitude). Songs from the album generated an extraordinary amount of controversy for their violent attitudes and inspired protests from a number of organizations, including the FBI (Federal Bureau of Investigation). However, attempts to censor gangsta rap only served to publicize the music and make it more attractive to both black and white youths. NWA became a platform for launching the solo careers of some of the most influential rappers and rap producers in the gangsta style, including Dr. Dre, Ice Cube, and Eazy-E.
In the 1990s rap became increasingly eclectic, demonstrating a seemingly limitless capacity to draw samples from any and all musical forms. A number of rap artists have borrowed from jazz, using samples as well as live music. Some of the most influential jazz-rap recordings include Jazzamatazz CD (1993), an album by Boston rapper Guru, and "Cantaloop (Flip Fantasia)" (1993), a single by the British group US3. In the United Kingdom, jazz-rap evolved into a genre known as trip-hop, the most prominent artists and groups being Tricky and Massive Attack. As rap became increasingly part of the American mainstream in the 1990s, political rap became less prominent while gangsta rap, as epitomized by the Geto Boys, Snoop Doggy Dogg, and Tupac Shakur, grew in popularity.
Since the mid-1980s rap music has greatly influenced both black and white culture in North America. Much of the slang of hip-hop culture, including such terms as dis, fly, def, chill, and wack, have become standard parts of the vocabulary of a significant number of young people of various ethnic origins. Many rap enthusiasts assert that rap functions as a voice for a community without access to the mainstream media. According to advocates, rap serves to engender self-pride, self-help, and self-improvement, communicating a positive and fulfilling sense of black history that is largely absent from other American institutions. Political rap artists have spurred interest in the Black Muslim movement as articulated by minister Louis Farrakhan, generating much criticism from those who view Farrakhan as a racist. Gangsta rap has also been severely criticised for lyrics that many people interpret as glorifying the most violent and misogynistic (woman-hating) imagery in the history of popular music. The style's popularity with middle-class whites has been attacked as vicarious thrill-seeking of the most insidious sort. Defenders of gangsta rap argue that no matter who is listening to the music, the raps are justified because they accurately portray life in inner-city America.
Breathing Space in Music
While most students want to know when to play certain notes and chords, it's equally important to know when not to play. For example, I had a student who knew how to improvise and play in the New Age style. What he didn't know how to do was to allow for breathing space. I tried to teach him that you don't have to play note upon note but allow for some pauses.
Shut Up And Sing
What is it with these performers and their politics? Do they really think that people who pay $100 or more to hear them sing want to hear them utter political opinions? The audience pays hundreds of thousands of dollars to see and hear a performer PERFORM. You want to spout politics, run for freakin office, you moron! When performers use a paid venue to play politics they are abusing the paying audience, the venue, the sponsors and everyone connected to their artistic performance. It's an inappropriate venue and inapproprite behavior to voice your political viewpoint, you jerk! And they wonder why people boo.
Reaching For The Soul Zone
Every searching artist wants to get there. It's that magical place where something takes over, you know, when something bigger than you whispers in your ear and says "Relax - I'll take it from here!"
How to Construct Chords and Improvise
How To Construct Basic Chords on the Piano
Performance and Gigs
"For optimum amp tone onstage, plug your amp into your own AC outlet.." - Eric Johnson
Irish Fiddle Ornaments
When I started playing jigs, my default bowing pattern made a groove like Pop Goes the Weasel: "Long-short, long-short, muberry bush, the long-short, long-short weasel."
Review: The Bled - Pass the Flask
Released in 2003, Pass the Flask turned this little quintet from Tucson, into a mainstream success overnight. Classifying this band as 'metalcore' or 'indie' or 'hardcore' is quite futile, because for every genre you pick, someone is going to disagree, and have a solid backing for their view. Everyone however can agree that whatever The Bled are doing, they are doing it well.
The Dos and Donts of Getting Your Child to Love Learning an Instrument
We all know that music can be inspiring, entertaining, and exhilarating. There are few things more enjoyable than listening to good music. If you're lucky enough to be able to play a musical instrument, you know the joy that can come from strumming those strings, tapping those keys, or blowing those reeds. It's immeasurable. But, with all the amazing aspects of music, why is it such a struggle to get your child to enjoy learning how to play an instrument? Some children naturally enjoy the learning process, while others rally against it like it with all their will.
Music & Emotions: Can Music Really Make You a Happier Person?
How many times have you turned to music to uplift you even further in happy times, or sought the comfort of music when melancholy strikes?
Prepare for the Master (CD Mastering)
Many artists are still confused as to what goes on during a mastering session. This article will try to shed some light on the last step before fame and riches (well, at least the last step before duplication), and help you with preparing your music before sending to a mastering studio.
Right-Hand Techniques for New Age Piano
Recently, I had a student ask me to offer some techniques for using the right hand. Usually, it's the left hand that causes the most difficulty but I had to think about it because up till then, I really did not have any "techniques" for the right hand.
Can You Really Learn To Play a Musical Instrument From an Online Course?
Out of the 250 million people in the United States, about 25 million of them play an instrument of some kind, or used to when they were in school and would like to pick up where they left off. Another 30 million or so sing in a church choir, a barbershop quartet, or at the very least, in the shower.
Tips for Buying Digital Pianos and Keyboards
Buying a digital piano could be a very delicate attempt, especially if you have no idea about pianos in the first place. This article is written to help you out how to choose the best digital piano.
Is the Record Album Dead? Not by a Long Shot
In 1982, Sony and Philips introduced the compact disc, a digital music playback format that used a laser to read the disc. The compact disc was expected to quickly replace the long play record album (LP) that Columbia had introduced in 1949. The product took off quickly, even at a retail price that was nearly double that of a record album, and sales of record albums plummeted. The CD, as compact discs quickly became known, offered what audio magazines called "perfect sound forever" while offering immunity to the effects of the wear and tear that often left records noisy. The record companies reduced the price of manufacture through improved production methods, and the cost of manufacturing a CD soon fell below that of manufacturing a record. Even so, compact discs continued to sell well at the higher price, making the CD quite a profitable product, indeed.
Micing a Kick Drum
This months tip deals with micing kick drums.
Taking iPod Culture into Clubs as Well as Cyberspace: Jonny Rocket Interviewed by The G-Man
Already making plenty of noise in the marketplace is a new concept called Playlist, which exists both as a club and as an online music competition (see www.ipod-dj.com for details on how to enter and what you can win).
Facts about Betty Kresin, Eminems grandmother
Lori Nuic Sparkles
A soulful vibe along with an amazing voice is what Lori Nuic is gifted with, she got the crowd grooving as she performed at Launch Pad at the Cameron House for the first time.
How to Create Hip, Mature, and Lush Harmonies [correction]
Rarely is a chord played with its tones contained in a single octave, the root on the bottom, the third in the middle, and the fifth on the top.
Mp3s ? The Future of Music?
Mp3 music is audio that has been digitally encoded and compressed to make the amount of data smaller without compromising the overall sound quality. It's a revolutionary technique with incredibly good results; mp3 music is frequently indistinguishable from music found on a CD (though some audiophiles with very sensitive ears dispute that statement).
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